Amina Benbouchta

Amina's neon lights in ‘Éternel retour du désir amoureux’’ are like a drawing suspended above a child's bed that materializes in light archetypes of our modern world. Vivid red heels, symbols of the ultra-feminine woman, crinolines that look like iron cages and symbolize a form of imprisonment, but also a symbolic cloud of elevation, echoing the art of sublimation. The installation, through a set of domestic objects, reveals the objectification of women in marriage, but also the child's dreamy outlook on the world.